Surf around the Web. Look at images at magazines, papers, on-line
galleries and you’ll find a wealth of ideas. Try the Gallery at
shotaddict.com. Want more – go to flickr.com and look through tones of
creative shots. Another useful source is VFXY, it displays recent posts
from various photoblogs.
Learn the ‘visual language’. Visit Art Museums, Galleries and
Exhibitions that have photography shows. Learn art history from
Antiquity to the Present and discover how highly creative people
developed methods for expressing light and color.
Watch Movies. It is another source of inspiration, as they are
nothing more than still images shown to you at 29.97 frames a second.
Lots of ideas for concepts, lighting, messages, or just plain pretty
images.
Read photography books to learn new techniques and then try to apply them in your work.
Look at things through the eyes of creativity. Pick anything and
shoot it just to see what it looks like: things around your house, in
the refrigerator, etc. The subject doesn’t really matter all that much,
what matters is how you shoot it. Shoot, shoot and still shoot even
more. Digital is cheap.
Composition is the key. Think about what you are doing. Frame your
photo in your mind. Look for interesting angles and light, go high, go
low. The key is to shoot the subject in as many different ways, under
different lighting, and try to make those images interesting. So, don’t
just point and shoot, but consider composition.
The twenty step exercise. If you lack inspiration, you can take your
camera, go outside and start shooting anything around. Each photographer
has their own secret. Some recommends shooting 100 photos in one hour.
Others suggest you should try to get 100 shots from within the 10 metre
radius of where you are. Others play twenty steps. Go out for a walk,
walk twenty steps, stop, look around, take a picture (try and make it
interesting, an unusual angle, a closeup, abstract, etc), walk another
twenty steps, repeat. The point is to develop your eye, learn to look
more indepth at your surroundings, to look in close as well as wide.
This exercise forces you to try and see the mundane differently.
Plan a trip to a local botanical garden or a zoo. Make sure to visit
such places from time to time, - there are lots of things to shoot
there.
Shoot in different conditions. E.g. iff you shoot in early morning,
late in the afternoon or in sunset, the available light will add more
depth, create interesting shadows and color changes for your
convenience. Try to photograph places in fog – it will hide distracting
background elements.
Look through postcards. If you want to shoot the city you live in,
or you plan a trip to some excited place, you’ll find it useful to look
through postcards. Often we walk past something time and time again and
never actually notice its potential. Besides, postcards will give you
ideas what is the best way to shoot the subject.
Learn how to “see” with your camera – another exercise to develop
your eye. If your camera has a viewfinder, look through it for some
time. Then look at a scene, and imagine how the camera will see it. Then
hold again your camera up to your face and find out if you were right.
Keep trying until you can tell immediately what the camera will see.
Self-criticism Shoot, shoot and shoot! But after you take tons of
images, you should sort them ruthlessly. 10% of worthy photos for a day
is not bad results.
Enter online contests. It’s great inspiration to find interesting
stuff to photograph. You have a topic, and it can make it easier to find
interesting stuff to shoot. Try Contests at shotaddict.com.
Join a photo community and interest groups. It is cheap,
informative, and fun. You can post your photos, participate in critique
and discussions at forums. Some very good and interesting stuff to be
found there!
Take a photo a day and see your life in a whole new way. It is a
great article from Photojojo. Remember that a camera that you don’t have
with you is a camera that’s not going to take any pictures. So try to
have your camera on you as often as possible.
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